• トップページ
  • 草の頭窯とは
    • 美濃焼とは
    • 作品紹介 >
      • 青山健祐作品
      • 青山双溪作品
      • 青山禮三作品
    • 作家の紹介 >
      • 青山健祐 陶歴
      • 青山双溪 陶歴 >
        • 双溪の書き物
      • 青山禮三 陶歴
    • エッセイ >
      • 粘り強い探究心を持って
      • 古い時代のネットワーク
    • 陶器3dモデルの見方
  • 作品シアター
    • 3Dギャラリー
    • 3Dサンプルの見方
    • 作品ギャラリー
  • 過去のイベント
  • アクセス
  • English
    • Pottery Retreat >
      • Instructors
      • Retreat Overview >
        • Kiseto Programme
        • Hikidashi-guro Programme
        • Ko-sometsuke
        • Ash glaze
        • Anagama Special
        • Natural glaze
        • FAQ
      • Guest Rooms
      • Participant Gallery
      • 3D Gallery
      • Explore the pottery town
      • Preliminary booking
      • Buy a course
      • PayPal Payment
    • The Artisans >
      • Kensuke Aoyama
      • Sokei Aoyama
      • Reizo Aoyama
    • The Works >
      • Works by Kensuke Aoyama
      • Works by potter Sokei Aoyama
      • Works by Reizo Aoyama
    • Mino ware pottery
    • Essays >
      • In Stubborn Pursuit
      • The Ancient Web
    • Visit Us
    • Links and articles
    • Contact
  • オンライン決済
  • リンク
  • メディアコーナー
  草の頭窯

​natural glaze

写真
About Natural Glaze
Natural glaze refers to the phenomenon where ash from burning wood in a kiln settles on the surface of pottery and melts into a glass-like coating at high temperatures. Unlike glazes that are manually applied, natural glaze is created organically within the kiln environment, giving each piece its unique character.
One of the key attractions of natural glaze is the unpredictable beauty it creates. Factors such as the flow of the flame, the type of wood used, and the timing of the firing process all contribute to the one-of-a-kind finish. Natural glaze represents the harmony between the kiln’s natural forces and the craftsmanship of the potter.
Course Details
This program focuses on creating pottery using a wood-fired kiln to achieve natural glaze effects.
The process includes:
  1. Shaping clay on a potter’s wheel or by hand.
  2. Firing in a wood-fired kiln, where ash settles onto the pottery and forms a natural glaze.
  3. Observing the unique and beautiful results of the natural glaze after the firing is complete.
Recommended for: Intermediate and advanced potters, as well as anyone intrigued by the distinctive beauty of natural glaze.
​This course is exclusively designed for anagama and wood-fired kiln programs.
Retreat overview

アクセス Location

問い合わせ Mail form

  • トップページ
  • 草の頭窯とは
    • 美濃焼とは
    • 作品紹介 >
      • 青山健祐作品
      • 青山双溪作品
      • 青山禮三作品
    • 作家の紹介 >
      • 青山健祐 陶歴
      • 青山双溪 陶歴 >
        • 双溪の書き物
      • 青山禮三 陶歴
    • エッセイ >
      • 粘り強い探究心を持って
      • 古い時代のネットワーク
    • 陶器3dモデルの見方
  • 作品シアター
    • 3Dギャラリー
    • 3Dサンプルの見方
    • 作品ギャラリー
  • 過去のイベント
  • アクセス
  • English
    • Pottery Retreat >
      • Instructors
      • Retreat Overview >
        • Kiseto Programme
        • Hikidashi-guro Programme
        • Ko-sometsuke
        • Ash glaze
        • Anagama Special
        • Natural glaze
        • FAQ
      • Guest Rooms
      • Participant Gallery
      • 3D Gallery
      • Explore the pottery town
      • Preliminary booking
      • Buy a course
      • PayPal Payment
    • The Artisans >
      • Kensuke Aoyama
      • Sokei Aoyama
      • Reizo Aoyama
    • The Works >
      • Works by Kensuke Aoyama
      • Works by potter Sokei Aoyama
      • Works by Reizo Aoyama
    • Mino ware pottery
    • Essays >
      • In Stubborn Pursuit
      • The Ancient Web
    • Visit Us
    • Links and articles
    • Contact
  • オンライン決済
  • リンク
  • メディアコーナー