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Retreat overview

Soukei Aoyama
To book courses:
  1. Fill out our preliminary booking form
  2. We will discuss your needs over email
  3. Once we agree on the schedule and course details, we will ask you to pay 10% of the total amount as an advance
  4. You can choose to make the payment via PayPal or online payment

AVAILABILITY

Our retreats do not have fixed monthly start dates.
Courses are arranged individually according to studio and accommodation availability.

All dates in 2026 are currently fully booked.

We are now mainly accepting reservations for selected dates in 2027.

PRIVATE ACCOMMODATION

Each guest or private group is provided with a private apartment, typically including 3 bedrooms, a kitchen, dining area, and living room.
You will never be asked to share accommodation with strangers.
We currently have up to five private apartments available.
While our apartments can comfortably accommodate larger families or groups, studio instruction is limited to a maximum of six participants at one time due to the number of instructors available.

🟢 CURRENT AVAILABILITY

Available Dates in 2026
​

・Full Book​​
Available Dates in 2026
Available Dates in 2027​​​
  • ・Full Book​​
Available Dates in 2027
Available Dates in 2028
  • ​Our January–August 2028 schedule is now available, and applications are open.
Available Dates in 2028
For detailed dates, please click the link button

🔥 ANAGAMA COURSES

Kusanokashira Kiln holds traditional Anagama firings twice each year and a Shino wood-fired kiln course once each spring.
Spring Wood-Fired Kiln Course — Shino Pottery
  • March 13 – April 12, 2028
    Reservations Now Open
Spring Anagama Course
  • April 19 – May 20, 2027
    Fully Booked
  • April 17 – May 19, 2028
    Reservations Now Open
Winter Anagama Course
  • November 16 – December 19, 2026
    Fully Booked
  • November 15 – December 18, 2027
    Fully Booked
────────────────────
📅 LAST UPDATED
October 13, 2026
This page is updated several times each month.
■Most reservations for 2026 are currently fully booked.

While date changes or cancellations may occasionally occur
after a reservation has been confirmed due to work or family circumstances,
please note that availability is very limited due to the small-group format of our retreat.

For this reason, we do not operate a waitlist for specific dates.
If any changes in availability occur, updates will be posted on our website,
so we kindly ask that you check this page periodically.

*Please note: This page always reflects the most accurate and up-to-date
information regarding reservations and availability.*

🏖 Summer Break: August 8–21, 2027
❄ Winter Break: From December 19, 2027
​

Both the studio and accommodation will be closed during these breaks. Thank you for your understanding.

IMPORTANT NOTICE
Most 2026 2027 dates are already fully booked.
Because our retreat is limited to a small number of participants, availability changes are rare.
We do not operate a waitlist for specific dates.
If any openings become available due to schedule changes or cancellations, they will be posted on this page.
This page always reflects the most up-to-date availability information.

CUSTOMER REVIEW: THE TWO-WEEK COURSE

Customer experience: The LARGE Cave kiln


CUSTOMER EXPERIENCE: THE SMALL WOOD-FIRED KILN

Four training programmes
SCROLL TO DETAILS
Hikidashi-guro
Kiseto
Sometsuke
Ash glaze
Pulling out a ​hikidashi-guro bowl for cooling
Back to Retreat Overview

Training programmes content

🌿 STUDIO & PROGRAMS
​
STUDIO HOURS
Studio hours are Monday to Friday, 9:30–17:00.
Saturday is a self-study day, and the studio is closed on Sundays.
On self-study days, the studio remains open for independent work.
Instructors will check in periodically and offer guidance when needed, but continuous instruction is not provided throughout the day.
This allows participants to work at their own pace and deepen their practice.

TRADITIONAL MINOWARE PROGRAMS
Traditional Minoware pottery is taught through the following core programs:

KIZETO
A warm golden glaze pottery style historically associated with the Mino region.
Best for those interested in warm, natural tones and traditional Japanese aesthetics.

HIKIDASHI-GURO
A deep black glaze created by removing pieces from the kiln during firing and cooling them rapidly.
Best for participants who enjoy bold and expressive firing effects.

KO-SOMETSUKE
A refined blue-and-white style featuring delicate hand-painted designs inspired by nature and daily life.
Recommended for those who enjoy detailed decoration and brushwork.

ASH GLAZE
One of the most fundamental glazes used in traditional kilns of Seto and Mino, producing subtle tones ranging from green to yellow.
Suitable for those interested in traditional kiln effects and natural color variation.

WOOD-FIRING & NATURAL ASH EFFECTS
When firing with wood, ash naturally settles on the surface and melts into a glaze, creating organic and unpredictable patterns.
Perfect for those who want one-of-a-kind results created by fire and ash.
This experience is available exclusively through the Wood-Fired Kiln Upgrade and Anagama Course.

ANAGAMA & WOOD-FIRED KILNS
We offer a special training program using a reconstructed Anagama (traditional medieval wood-fired kiln), as well as wood-firing programs using kilns built with modern techniques.

💡 BEGINNER FRIENDLY
All programs are suitable for beginners through advanced participants.
Even if you have little or no pottery experience, the course will be adjusted to your level so you can learn comfortably.
​
🎯 WHAT TO EXPECT
During your stay, you will:
• Practice wheel throwing and shaping
• Learn glazing techniques
• Experience kiln firing
• Explore both traditional and experimental methods
Each program is tailored to your pace, goals, and experience level.
Most participants explore multiple techniques during their stay.

The Kokeizan Choushingama - a Muromachi era kiln by MimirLLC on Sketchfab

Video: the kiln - and how we captured it
essay: in stubborn pursuit
Read about the life and dedication of Master Soukei Aoyama, a potter from Onada village, who has spent decades perfecting the ancient art of Shiro tenmoku pottery, driven by a deep passion for his craft and influenced by Zen philosophy.
Essay
essay: the ancient web
​The article explores the historical significance of Onada village in Tajimi, Japan, highlighting its unique white clay used to create the rare and valuable Shiro tenmoku tea bowls, and its connections to Zen Buddhism and the Japanese tea ceremony.
Essay

Course length depends on the program selected.

Training is tailored to each participant's experience level and goals.

Training programme details

Kizeto Programme
写真
​Recommended for:
Beginners, intermediates and advanced users
Programme Details
hikidashi-guro programme
写真
​Recommended for
Beginners, intermediates and advanced users
Programme Details
Ko-sometsuke painting
写真
Recommended for
Intermediate and advanced students
Programme Details
ash glaze programme
写真
Recommended for
Beginners, intermediate, and advanced students
Programme Details
anagama special programme
写真
Try your hand firing your pieces in Japanese mediaeval style on a personalised schedule.
Programme Details
​
natural glaze
Natural glaze refers to the phenomenon where ash from burning wood in a kiln settles on pottery and melts into a glass-like coating at high temperatures
natural glaze
ACCOMMODATION
Private apartment accommodation is provided at no additional cost (utilities included).
Guests stay in fully furnished private apartments with a kitchen, dining area, living room, and multiple bedrooms.
You will never be asked to share accommodation with strangers.
Alternatively, you may arrange your own accommodation and commute to the studio at your own expense.
Please note that our accommodation and studio facilities are reserved for participants of the pottery retreat.
Click here to view our guest apartments
TRANSPORTATION
Local transportation options include electric bicycles and public buses.
Transportation between JR Tajimi Station and your accommodation is included on your check-in and check-out days.

COURSE OPTIONS
Course fees vary depending on the length of your stay.
Detailed pricing can be found in the Preliminary Booking Form.
• 2-Week Course (up to 16 days)
└ Can be shortened to an intensive 10–12 day course
• 3-Week Course (up to 24 days)
• 4-Week Course (up to 31 days)
• 5-Week Course (up to 38 days)

UPGRADE OPTIONS
• Seasonal Anagama Course
• Wood-Fired Kiln Upgrade
• Glaze Formulation
• Clay Formulation

The most suitable course length depends on your experience level, goals, preferred firing methods, and any upgrade options you wish to include.
Participants interested in wood-firing or the Anagama course may be advised to stay longer depending on the season and firing schedule.

SCHEDULE
The total length of stay is calculated as:
Course duration
  • Check-in day
  • Check-out day
For courses of three weeks or longer, an additional day is included for kiln unloading, packing artwork, and other related activities.
The detailed training schedule is tailored to each participant's experience level and goals.

APPLICATION PROCESS
Please reserve your preferred dates using the online Preliminary Booking Form.

INCLUDED IN THE COURSE FEE
• Use of studio facilities and tools
• Materials (clay, glaze, etc.)
• Kiln use and firing
• Instruction and guidance
• Transportation to and from JR Tajimi Station (on the first and last day)

NOT INCLUDED IN THE COURSE FEE
• Transportation between your accommodation and the studio
• Food and drinks
• Packing and international shipping of artwork
(payable locally by cash or card)
• Admission fees for museums and galleries

Questions about payment, accommodation, meals, or cancellations?
View FAQ

2-WEEK COURSE ‘‘Introduction Course”

Available programs:
・Kizeto
・Hikidashi-guro

Two schedule options are available:
・Standard Format: Up to 16 days including check-in and check-out
・Short Intensive Format: 10–12 days including check-in and check-out (Monday check-in only)
・Focuses on wheel throwing, trimming, glazing, and the fundamentals of traditional Mino pottery
・Due to the shorter duration, some programs and firing options are not available
・Recommended for participants who would like an introduction to traditional Mino pottery within a limited period of time
・Suitable for beginners through advanced participants

​
Example Schedule

Introduction Course

Day
Content
Day 1
・Arrival and check-in
・Apartment orientation
・Local orientation
Days 2–5
・Wheel throwing
・trimming,
・basic training,
・optional local sightseeing
Days 6–9
・Continue making work
・decoration
​・ finishing
Day 10
・​Glazing​
Days 11–13
・Firing
・Optional local sightseeing
・Wheel throwing practice
Day 14
・Kiln cooling
・Packing preparation
・Pottery supply shopping
Day 15
・​​Kiln unloading,
​・Packing
・Shipping arrangements
Day 16
・Check-out
Schedules may vary slightly depending on drying times, firing schedules, weather conditions, and individual learning goals.

If you would like to take additional time off during your stay, please let us know at least one day in advance.

Short Intensive Course

Day
Content
Day 1 (Monday)
・Arrival and check-in
・Apartment orientation
・Local orientation
・Training begins if time permits
Days 2–5
・Wheel throwing
・Trimming
・Basic training

Day 6 (Saturday)
・Self-study day
Day 7 (Sunday)
・Day off
Days 8–9
・Glazing
・Firing
・Hikidashi-guro firing (if selected)
Day 10-12
・Kiln unloading
・Check-out
Important Note
Due to the shortened schedule, packing and international shipping arrangements will be completed by our staff after your departure.
International shipping is included in this course.
Schedules may vary slightly depending on drying times, firing schedules, weather conditions, and individual learning goals.

If you would like to take additional time off during your stay, please let us know at least one day in advance.

3-WEEK COURSE‘‘Recommended Course”

​Standard Course
Recommended 
Our recommended course for most participants.

Available programs:
・Kizeto
・Hikidashi-guro
・Ko-sometsuke
・Ash Glaze
・Oribe
・Shino
・Up to 24 days including check-in and check-out
・Programs requiring additional time, such as Ko-sometsuke, Ash Glaze, Oribe, and Shino, are available
・Multiple techniques can be combined during the course
・Provides enough time to complete a wide range of pottery projects from forming to firing
・Offers a balanced combination of pottery training, cultural experiences, and free time for exploration
・Suitable for beginners through advanced participants

Example Schedule

​Day​
Content
Day 1
・Arrival and check-in
・Apartment orientation
・Local orientation
Days 2–18
・Wheel throwing
・Trimming
・Decoration
・Pottery production
Saturdays
・Self-study day
Sundays
・Day off
Weekly
・Bisque firing
(Schedule may vary depending on individual progress and drying conditions.)
Days 19–21
・Firing
・Wheel throwing practice
・Optional local sightseeing
Day 22
・Kiln cooling
・Pottery supply shopping
・Local sightseeing
Day 23
・Kiln unloading
・Packing
・Shipping arrangements
Day 24
・Check-out
Schedules may vary slightly depending on drying times, firing schedules, weather conditions, and individual learning goals.

If you would like to take additional time off during your stay, please let us know at least one day in advance.
4-WEEK COURSE‘‘Extended Course”
​
Available programs:
・Kizeto
・Hikidashi-guro
・Ko-sometsuke
・Ash Glaze
・Oribe
・Shino
・Up to 31 days including check-in and check-out
・Multiple techniques can be combined during the course
・Provides additional time for larger projects, series work, and more advanced firing schedules
・The Wood-Fired Kiln Upgrade and seasonal Anagama Course are available from this course length
・Offers a relaxed pace with time for sightseeing, museums, pottery supply shopping, and cultural experiences
・Recommended for participants who would like extra time to develop their skills and complete more ambitious projects
・Suitable for beginners through advanced participants
Example Schedule
Day
Content
Day 1
・Arrival and check-in
・Apartment orientation
・Local orientation
Days 2–25
・Wheel throwing
・Trimming
・Decoration
・Pottery production
Saturdays
・Self-study day
Sundays
・Day off
Weekly
・Bisque firing
(Schedule may vary depending on individual progress and drying conditions.)
Days 26–28
・Firing
・Wheel throwing practice
・Optional local sightseeing
Day 29
・Kiln cooling
・Pottery supply shopping
・Local sightseeing
Day 30
・Kiln unloading
・Packing
・Shipping arrangements
Day 31
・Check-out
Schedules may vary slightly depending on drying times, firing schedules, weather conditions, and individual learning goals.

If you would like to take additional time off during your stay, please let us know at least one day in advance.
5-WEEK COURSE ‘‘Premium Course”
​
Available programs:
・Kizeto
・Hikidashi-guro
・Ko-sometsuke
・Ash Glaze
・Oribe
・Shino
・Up to 38 days including check-in and check-out
・Eligible for the Wood-Fired Kiln Upgrade and seasonal Anagama Courses
・Provides ample time for larger works, series production, and more ambitious projects
・Multiple techniques can be combined during the course
・Clay blending and glaze formulation can be incorporated into the training program
・Allows participants to explore both traditional techniques and their own creative direction
・Offers the most flexibility for firing schedules and long-term projects
・Recommended for participants seeking a deeper and more comprehensive pottery retreat experience
・Suitable for beginners through advanced participants
Example schedule 
Day
Content
Day 1
・Arrival and check-in
・Apartment orientation
・Local orientation
Days 2–32
・Wheel throwing
・Trimming
・Decoration
・Pottery production
Saturdays
・Self-study day
Sundays
・Day off
Weekly
・Bisque firing
​(Schedule may vary depending on individual progress and drying conditions.)
Days 33–35
・Firing
・Wheel throwing practice
・Optional local sightseeing
Day 36
・Kiln cooling
・Pottery supply shopping
・Local sightseeing
Day 37
・Kiln unloading
・Packing
・Shipping arrangements
Day 38
・Check-out
​In essence, you have Sundays off, which can result in minor variations in your schedule. If you wish to take time off for your own reasons, please contact us at least one day in advance.


Anagama Retreat
写真
Spring Anagama Retreat
32 Days

Winter Anagama Retreat
33 Days

​About the Anagama Retreat
The Anagama Retreat is the most traditional wood-firing program offered at Kusanokashira Kiln.

Participants take part in the entire Anagama firing process, including pottery making, glazing, kiln loading, firing, and kiln unloading.

Anagama kilns are among the oldest traditional Japanese pottery kilns and are fired continuously for several days using wood as fuel.

During the firing period, participants work in shifts. Participation times can be adjusted according to each person's preferences and physical stamina, so it is not necessary to attend every firing shift.

At least one experienced staff member is always present during the firing, allowing even beginners to participate with confidence.

The ash produced during firing melts onto the surface of the pottery and becomes a natural ash glaze, creating effects that cannot be achieved in electric or gas kilns. No two pieces will ever fire in exactly the same way.
Anagama firings are held only twice each year, and because the schedule is fixed, the number of participants is limited.

This retreat is recommended for those who would like to experience the complete process of traditional Japanese wood firing, from making pottery to unloading the finished work.
​
Suitable for beginners through advanced participants.
Example schedule ​
Day
Content
Day 1
・Arrival and check-in
・Apartment orientation
・Local orientation
Days 2–12
・Wheel throwing
・Trimming
・Decoration
・Pottery production
Days13 (Saturday)
・Self-study day
Days14 (Sunday)
・Day off
Days 15–18
・Glazing
・Kiln loading
・Preparation for Anagama firing
Days 19–22
・Anagama firing
・Wood firing training
・Kiln management
Days 23–24
・Day off
・Rest and local sightseeing
Day 25
・Kiln unloading
・Grinding and finishing
Day 26 (Saturday)
・Self-study day
Day 27 (Sunday)
・Day off
Days 28–29
・Refiring in electric kiln (if required)
・Pottery supply shopping
・Local sightseeing
Day 30
・Grinding
・Packing preparation
Day 31
・Packing
・Shipping arrangements
Day 32or33
​
・Check-out
Important Notes
・Seasonal Anagama firings are held on fixed dates in spring and winter. Please check the current availability before booking.
・Anagama course dates are fixed and cannot be freely rescheduled.
・Following the Anagama firing, the studio staff will take a two-day break. During this time, participants are welcome to enjoy sightseeing, shopping, or other independent activities.
・Schedules may vary slightly depending on weather conditions, firing progress, and kiln cooling times.

Wood-Fired Kiln Course 

写真
Wood-Fired Kiln Course — Shino PotteryThis relatively small wood-fired kiln is particularly well suited to Shino pottery.
Held once a year between March and April, this four-week course covers the complete process from preparing Shino glazes to firing.
  1. Preparing Shino glazes
  2. Making test pieces and carrying out test firings
  3. Evaluating the results and adjusting the glazes
  4. Glazing your pieces
  5. Firing in the wood-fired kiln
  6. Firing pieces that could not fit into the wood-fired kiln, and refiring pieces with unsatisfactory results, in an electric kiln
The kiln’s small size limits the number of pieces that can be fired at one time. With an emphasis on glaze preparation and test firings, this course offers an opportunity to develop a deeper understanding of Shino pottery.
Day
Content
Day 1
• Arrival and check-in
• Apartment orientation
• Local orientation
Days 2–14
• Wheel throwing
• Trimming and decoration
• Shino glaze preparation
• Making test pieces and test firing
• Evaluating test results and adjusting glazes
Saturday
・Self-study day
Sunday
・Day off
Days 15–17
・Glazing
・Kiln loading
・Preparation for wood firing
Days 18–20
・Wood firing
・Wood firing training
・Kiln management
Day 21
・Kiln cooling
・Wheel throwing practice
・Optional local sightseeing
Day 22
• Kiln unloading
• Reviewing firing results
• Grinding and finishing
Days 23–24
• Additional glazing
• Preparing pieces for electric kiln firing or refiring
• Pottery supply shopping
• Local sightseeing
Days 25–27
・Electric kiln firing
・Wheel throwing practice
・Optional local sightseeing
Day 28
・Kiln cooling
・Packing preparation

Day 29
・Kiln unloading
・Grinding
・Final review
Day 30
・Packing
・Shipping arrangements
Day 31
・Check-out

Options

Glaze Formulation Upgrade

Glaze Formulation Upgrade

This optional upgrade introduces the fundamentals of traditional glaze formulation through preparing Shino, Oribe, and opaque glazes. Participants practise each stage, from weighing and mixing raw materials to test firing and evaluating the results.
  1. Understanding the role of glaze raw materials and basic recipes
  2. Preparing Shino, Oribe, and opaque glazes using specified recipes and quantities
  3. Glazing test pieces and carrying out test firings
  4. Comparing and evaluating the firing results
  5. Learning how to adjust glaze recipes

By recording recipes and firing results, participants develop a foundation for creating their own original glazes in the future.

These additional lessons are incorporated into your regular course.
This upgrade is generally available for courses of four weeks or longer.
​
Participants with extensive experience in forming pottery may also take it during a three-week course, provided they can make their test pieces within the first week.

Clay Blending Upgrade: Coming Soon

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  • 草の頭窯とは
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    • 作品紹介 >
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      • 青山健祐 陶歴
      • 青山双溪 陶歴 >
        • 双溪の書き物
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    • エッセイ >
      • 粘り強い探究心を持って
      • 古い時代のネットワーク
    • 陶器3dモデルの見方
  • 作品シアター
    • 3Dギャラリー
    • 3Dサンプルの見方
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  • 過去のイベント
  • アクセス
  • English Home
    • Pottery Retreat >
      • Retreat Overview
      • Preliminary booking
      • FAQ
      • Guest Rooms
      • Explore the pottery town
      • Instructors
      • Participant Gallery
      • View Available Dates for 2026
      • View Available Dates for 2027
      • View Available Dates for 2028
    • 3D Gallery
    • The Artisans >
      • Kensuke Aoyama
      • Sokei Aoyama
      • Reizo Aoyama
    • The Works >
      • Works by Kensuke Aoyama
      • Works by potter Sokei Aoyama
      • Works by Reizo Aoyama
    • Mino ware pottery
    • Essays >
      • In Stubborn Pursuit
      • The Ancient Web
    • Visit Us
    • Links and articles
    • Contact
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